摘要
杨东明《饥民图说》的视觉文本借助反伦常的情节叙事,让万历皇帝为之动容、下令赈灾,同时也进一步推动了晚明赈灾体制的改革与完善。《饥民图说》作为一种灾害史的图像文本书写,其内含的公众品格与其强烈的社会关注方式,无疑昭示出杨东明一代士大夫强烈的社会道义与责任意识。杨东明上疏图说的事件既是晚明救荒拯民举措的真实写照,亦是社会矛盾倒逼体制局部调整的历史缩影。
Yang Dongming's Jimin Tushuo(Illustrated Account of Starving People)employs visualtextual narratives transgressing ethical norms to stir Emperor Wanli’s compassion,prompting imperial disaster relief orders and catalyzing structural reforms to the late Ming relief systems.As a pioneering visual-textual documentation of disaster history,its public-oriented ethos and sociopolitical engagement epitomize the moral consciousness and civic responsibility of late Ming scholar-officials like Yang.This act of submitting illustrated petitions not only reflects the urgency of famine relief in the late Ming,but also epitomizes how systemic contradictions compelled incremental institutional adaptations.
作者
董帅
吴苏洪
Dong Shuai;Wu Suhong
出处
《中国国家博物馆馆刊》
北大核心
2025年第5期79-93,共15页
Journal of National Museum of China
基金
国家社科基金重大项目“海外黄河文献的搜集整理与数据库建设研究”(项目批号:22&ZD241)阶段性成果。
关键词
杨东明
饥民图说
明神宗(万历1573-1620)
赈灾
Yang Dongming
Jimin Tushuo(Illustrated Account of Starving People)
Emperor Shenzong(Emperor Wanli,r.1573–1620)
disaster relief
