摘要
在英国汉学家柯律格(Craig Clunas)近二十年来的艺术史研究中,对物质文化的关注构成了其研究的特色。柯氏关注物的多样性知识,“物”的内部生成了多重知识形态,既形成多样性的知识隐喻,又顺藤摸至外部的“一”这样的非美学因素,从而实现了内外知识的再分配。此外,外部又深掘了内部,让内部的多样性知识得以强化。尽管其论证中存在着逻辑松、结构弱等问题,但瑕不掩瑜。其内外联动的新启示便是,物的感性与知识的感性是交互的,物的内外不断往返正是物、知识与感性的不断往返。
In the study of art history of the British sinologist Craig Clunas in the past two decades,the absorption of material culture constitutes the characteristics of his research.Craig focus on the diversity of knowledge of the'object'.The internal of the'object'generates multiple knowledge forms,which not only forms a variety of knowledge metaphors,but also follows the non-aesthetic factors such as'one'to the outside,thus realizing the redistribution of internal and external knowledge.In addition,the external digs deeper into the internal,so that the diversity of internal knowledge can be strengthened.Although there are some problems in its argumentation,such as loose logic and weak structure,the new enlightenment of its internal and external linkage is that the sensibility of the object and the sensibility of knowledge are interactive,and the constant round-trip between the inside and outside of the object constant round-trip between the object,knowledge and sensibility.
出处
《上海视觉》
2025年第2期17-22,共6页
Shanghai Vision
关键词
柯律格
物
晚明
知识
内外结合
Craig Clunas
Object
Late Ming Dynasty
Knowledge
Internal and External Integration
