摘要
在哈代研究的传统常规中,苔丝常常被规约为男性凝视的欲望客体和性政治的牺牲品。本文从女性反向凝视的维度出发,细察苔丝面对男性视界政体代表亚雷时采用的反抗性凝视策略及其深刻寓意。研究发现,苔丝借用了被动的外在反视和主动的精神洞见等方式迎击施暴者的异化企图,进而消解、逼退甚至摧毁对方的征服意志,从而产生反向凝视的性政治“陌生化”效果,最终构建了19世纪末独具特色的英国女性视界政体及视域诗学。
In the traditional conventions of Hardy studies,Tess is often reduced to an object of male desire and a victim of sexual politics.This essay,starting from the dimension of the female counter-gaze,meticulously examines the strategies and profound implications of Tess's rebellious gaze when confronting Alec,a representative of the male Scopic Regime.The research reveals that Tess employs both passive external counter-gazing and active spiritual insight to confront the perpetrator's attempts at alienation.This approach ultimately undermines,repels,and even destroys the aggressor's will to dominate,producing an effect of sexual-political“defamiliarization”through the counter-gaze.Consequently,it constructs a unique Scopic Regime and visual poetics for British women at the end of the nineteenth century.
出处
《英美文学研究论丛》
2025年第1期82-94,共13页
English and American Literary Studies
基金
国家社科基金重大项目“中国文学地理学文献整理与理论研究”(23&ZD279)之子课题“中西文学地理学比较研究”的阶段性成果。
