摘要
“文本于经”是中国古代文学批评的基本观念,扬雄正处于经学昌明的时代,作为汉代最重要的拟作者之一,其拟作对于汉代文体学的发展具有重要意义。扬雄从拟赋到拟经的转变,反映出汉代人文体自觉意识的萌发,体现出重要的文体学价值。旧文体如颂、诔、官箴的定型,以及新文体如连珠、京都赋、州箴的创造,是扬雄拟作的两个重要贡献。在扬雄宗经意识的统摄下,尊体意识兴起,形成因宗经而尊体的现象,影响后世的文体理论。
The notion that"texts originate from the Classics"is the basic concept of ancient Chinese literary criticism.Yang Xiong,living in an era when the study of Confucian classics flourished,was one of the most significant imitative writers of the Han Dynasty.His imitative writings hold significant importance for the development of stylistics in the Han Dynasty.Yang Xiong’s transformation from imitation of Fu to the imitation of Confucian classics reflects the germination of stylistic consciousness among scholars in the Han Dynasty,embodying important stylistic value.Yang Xiong’s two major contributions to stylistics are the standardization of old genres such as odes(song),lei(eulogistic inscriptions),and guanzhen(official admonitions),as well as the creation of new genres like lianzhu(a series of polished,concise essays),jingdu fu(odes describing capital cities),and zhouzhen(admonitions for prefectures).Under the influence of Yang Xiong’s reverence for the Classics,an awareness of respecting literary genres arose,leading to the phenomenon of respecting genres due to reverence for the Classics,which influenced subsequent stylistic theories.
作者
郑杰
庄丹
ZHENG Jie;ZHUANG Dan(School of Chinese Language and Literature,Minnan Normal University,Zhangzhou Fujian 363000,China)
出处
《乐山师范学院学报》
2025年第5期73-79,93,共8页
Journal of Leshan Normal University
关键词
扬雄
拟作
文体学
经学
Yang Xiong
imitative writings
stylistics
study of classics
