摘要
20世纪二三十年代文学领域呈现激烈的竞争态势,愈发严峻的社会环境影响了文学独立发展的道路。1929年,于赓虞、庐隐共同创办《华严》期刊,在普罗文学蔚然成风之际,他们选择以审慎的态度坚守文学的独立属性,以“为创作而创作”为旗帜,在新诗理论上提倡以“野蛮”的反抗精神发出自我的肺腑之音;在新诗创作中追求诗歌的艺术特质,借用颓唐狂放的意象表现黑暗的现实,在融通中外诗歌艺术精粹的基础上力求打造中国的摩罗诗人。《华严》的发行持续近一年,通过期刊在新诗发展进程中的探索路径,我们可窥见同人们从理论创新、形式更迭、艺术实践等方面对新诗现代化发展做出的贡献。
In the 1920s and 1930s,the field of literature presented a fiercely competitive situation,and the increasingly severe social environment interfered with the independent development of literature.In 1929,Hua Yan,a periodical jointly founded by Lu Yin and Yu Gengyu,chose to adhere to the indepen⁃dent attribute of literature with a prudent attitude when the popular literature was becoming increasingly fierce.Under the banner of“creation for the sake of creation”,they advocated the“barbaric”spirit of resistance in the theory of new poetry to send out the voice of the soul.In the creation of new poetry,he pursues the artistic quality of poetry,combines the decadent and wild images to reflect the dark reality,and tries to introduce China’s own Moro poets on the basis of integrating the essence of Chinese and for⁃eign poetry art.Hua Yan has been published for nearly a year.Through the practice of periodicals in the development of new poetry,we can see that Hua Yan has promoted the modernization of Chinese new poetry from the aspects of theoretical innovation,the change at form and emotional mobilization.
作者
许晶
韩琳柯
XU Jing;HAN Linke(School of Liberal Arts and Law,Henan Polytechnic University,Jiaozuo 454000,Henan,China)
出处
《河南理工大学学报(社会科学版)》
2025年第3期69-74,共6页
Journal of Henan Polytechnic University:Social Sciences
基金
河南省高校人文社会科学研究一般项目(2024-ZDJH-770)
河南理工大学青年骨干教师项目(2024XQG-14)。
关键词
华严
新诗
“为创作而创作”
摩罗派
Hua Yan
new poetry
creation for the sake of creation
the Moro Sect
