摘要
媒介考古学从西方到中国的理论旅行已有数年。媒介考古学强调物质性、异质性与非线性历史,为电影研究提供新视角,但也面临方法论模糊、西方中心主义及本土实践适配性等问题。部分研究陷入标签化误区,忽视中国独特的媒介技术路径,应以递归时间性和多重物质性深化本土探索。同时,实验性“探客”操作性和去殖民化议程被提出,以突破线性史观与技术决定论。媒介考古学需在全球化与在地化张力中重构中国媒介实践的独特逻辑,实现理论的本土转化与创新。
Media archaeology has been traveling theoretically from the West to China for years.With its emphasis on materiality,heterogeneity,and nonlinear history,media archaeology offers new perspectives for film studies.However,it also faces challenges such as methodological ambiguity,Westerncentrism,and the adaptability of local practices.Some studies have fallen into the trap of superficial labeling,neglecting China's unique trajectory of media technology.This highlights the need for deeper local exploration through recursive temporality and multiple materialities.Additionally,experimental"tinkering"operationality and decolonizing agendas have been proposed to challenge linear historical views and technological determinism.Amid the tension between globalization and localization,media archaeology must reconstruct the unique logic of China's media practices and facilitate the local transformation and innovationof its theoretical frameworks.
出处
《电影艺术》
北大核心
2025年第3期11-18,共8页
Film Art
关键词
媒介考古学
递归时间性
多重物质性
探客操作性
media archaeology
recursive temporality
media materialities
tinkering operationality
