摘要
本讲讨论了中国音乐思想范畴问题。范畴是思想史研究的主要领域之一。中国音乐思想史上曾产生了诸多范畴,这些范畴使思想成为思想,也使今天的我们能够了解历史上的音乐思想并认识中国音乐思想的特点。中国音乐思想范畴有自己的独特面貌,认识这一面貌、分析其形式和内涵,是音乐思想史研究重要的任务。
This lecture discusses the issue of categories in Chinese musical thought.Categories are one of the main fields of study in the history of thought.Many categories have emerged in the history of Chinese musical thought,which have made thought into thought and enabled us today to understand the musical thought of the past and recognize the characteristics of Chinese musical thought.Chinese musical thought categories have their own unique features.Understanding this feature,analyzing its form and connotation,is an important task in the study of the history of musical thought.
出处
《南京艺术学院学报(音乐与表演版)》
北大核心
2025年第3期206-210,I0005,共6页
JOURNAL OF NANJING UNIVERSITY OF THE ARTS:Music & Performance
关键词
范畴
范畴论
开放性
封闭性
概念隐喻
Category
Category theory
Openness
Closure
Conceptual metaphor
