摘要
文章从柏辽兹歌剧的接受史和当前评价入手,论及柏辽兹歌剧的总体特征,对他的歌剧作品《本韦努托·切利尼》《特洛伊人》《比特阿丽斯与本尼迪克特》《浮士德的惩罚》的创作用意和艺术特色进行批评分析,并进一步讨论了柏辽兹歌剧对于理解这位作曲家的重要意义,艺术作品的价值确立机制,接受史之于艺术理解的重要性。
This article begins with the reception history and current evaluation of Berlioz's operas,discusses the overall characteristics of his operas,and critically analyzes the creative intentions and artistic features of his operas,including"Benvenuto Cellini","Les Troyens","Béatrice et Bénédict",and"La Damnation de Faust".It further explores the significance of Berlioz's operas for understanding the composer,the mechanism for establishing the value of artistic works,and the importance of reception history for the understanding of art,among other related theoretical issues.
出处
《南京艺术学院学报(音乐与表演版)》
北大核心
2025年第3期1-8,I0004,共9页
JOURNAL OF NANJING UNIVERSITY OF THE ARTS:Music & Performance
基金
哈尔滨音乐学院理论研究与创作高峰团队建设项目阶段性成果。
