摘要
楚系青铜鼎造型生动轻巧,装饰繁复精美,独具楚文化特色。文章基于春秋战国时期青铜鼎实物,对楚系青铜鼎进行分期分型研究,建立了楚系青铜鼎形制演变序列表,系统探究楚系鼎的形制从模仿中原到自我创新的历时性流变进程,装饰风格从简朴—繁复—素朴的三阶段演变特征,礼仪功用上继承周礼而又固守自身传统,形成奇数用鼎和偶数对鼎的双轨用鼎制度。揭示了楚文化在与中原、南方地域文化互动中的独特发展路径,阐述了楚系青铜鼎在兼容并蓄、独创一格的楚文化影响下所呈现出的制器尚象、崇巫尚奇、浪漫恣肆、求繁尚动的设计意蕴和文化内涵。
Chu-style bronze ding has a vivid and lightweight design,with intricate and exquisite decorations,and unique Chu culture characteristics.The study is based on the physical objects of bronze ding from the Spring and Autumn Period and the Warring States Period,and conducts a phased classification study of Chu-style bronze ding.It establishes a list of the evolution sequence of Chu-style bronze ding shapes and systematically explores the historical evolution process of Chu-style ding from imitating the Central Plains to self-innovation.The decorative style undergoes three-stage evolution of simplicity,complexity,and simplicity.In terms of ceremonial functions,it inherits Zhou rituals while adhering to its own traditions,forming a dual track ding system of odd numbered ding and even numbered and paired ding.This article reveals the unique development path of Chu culture in its interaction with the Central Plains and southern regional cultures,and elaborates on the design implications and cultural connotations of Chu-style bronze ding,which are influenced by the inclusive and unique Chu culture,such as the emphasis on making objects,the reverence for witchcraft and uniqueness,the romantic and unrestrained nature,and the pursuit of complexity and dynamism.
作者
程艳萍
CHENG Yanping(School of Art and Design,Shanghai Business School,Shanghai,200235,China)
出处
《家具与室内装饰》
北大核心
2025年第5期122-129,共8页
Furniture & Interior Design
基金
国家社科基金艺术学项目(23BG109)。
关键词
楚系青铜鼎
形制流变
楚文化
设计意蕴
Chu-style bronze ding
Shape change
Chu culture
Design implication
