摘要
目前学界对“惜物”观的研究主要从材料、形态、功能与风格等节用视角展开,而鲜少将其作为审美要素之一探讨其对环境美学的影响。旨在通过图、文、物相结合的研究方法,从节用、善用、惜用三个层面切入,探讨“惜物”观影响下明代文人空间造境中“三法”的设计表达,归纳出文人以简驭繁的器物形式之“简法”,以无胜有、少中见多的空间布设之“减法”,以及新陈代谢、以境善物、长期主义的意境营造之“俭法”。弘扬传统“惜物”观的文化内涵,展现中国古代文人审美中“惜物”设计之道。
Current academic research on the concept of"cherishing things"mainly focuses on the economical perspective of materials,forms,functions and styles,but rarely regards it as one of the aesthetic elements to explore its impact on environmental aesthetics.From the three dimensions:economizing,optimizing and cherishing,this study aims to explore the design expression of the"Three Methods"in literati's spatial creation of the Ming Dynasty influenced by the"cherishing things"concept through the research method of combining diagrams,texts and objects.It summarizes the“simplicity method”that literati used simplicity to control complexity in the form of artifacts,“reduction method”that literati arranged their space where less became more and presence was shaped through absence,and“economy method”that literati advocated cyclical renewal,harmonious integration of objects and environment,and a long-term aesthetic orientation.This study promotes the cultural connotations of the traditional"cherishing things"concept and demonstrates the"cherishing things"design approaches in the ancient Chinese literati aesthetics.
作者
宫晓东
程诚
张帆
GONG Xiaodong;CHENG Cheng;ZHANG Fan(School of Design and Art,Beijing Institute of Technology,Beijing,102400,China)
出处
《家具与室内装饰》
北大核心
2025年第5期36-41,共6页
Furniture & Interior Design
基金
北京工业设计促进专项——杰出设计人才(项目编号:20230466034)。
关键词
传统“惜物”观
明代文人意趣
文人生活空间
“惜物”设计表达
Traditional concept of"cherishing things"
The aesthetic interest of literati in the Ming Dynasty
Literati’s living space
Design expression of"cherishing things"
