摘要
清初龙燮《和苏诗》三卷录诗354首,其中351首以次韵的方式追和苏轼诗作。在选择苏轼诗作为范本时,龙燮倾向于七言近体诗,其追和苏轼七言近体诗的数量为198首,约占总数的56.4%。在具体对象的选取上,龙燮有意识地使用与自己日常生活联系密切的篇目,既遵循“有感而发”的原则,又尽量体现出与苏诗之间的契合点。此外,与苏轼面对的相似情境或相近的行为表现、情感体验,都是激发龙燮次韵和苏的重要因素。龙燮创作的和苏诗虽然只是个案,但能够从一个侧面反映出清代诗人对苏轼的推崇程度与学习方式,能为解读清代诗坛的“东坡热”提供具体证据。
In the early Qing dynasty,Long Xie compiled a three-volume collection titled He Su Shi,which includes 354 poems,351 of which are rhyme-matching responses to Su Shi's original works.When selecting Su Shi's poems as models,Long Xie showed a clear preference for seven-character regulated verse(qiyan jintishi),with 198 such poems accounting for approximately 56.4%of the total.In terms of specific selections,Long Xie deliberately chose poems closely related to his everyday life,adhering to the principle of“writing with genuine feeling”while striving to echo Su Shi's themes and tone.Similar life circumstances,emotional resonance,and behavioral parallels between Long Xie and Su Shi often served as key motivations for these poetic responses.Although Long Xie's He Su Shi represents an individual case,it offers a valuable lens through which to examine Qing poets'admiration for Su Shi and their methods of poetic emulation,thus providing concrete evidence of the“Dongpo fever”that swept through Qing literary circles.
作者
李钟芳
张明华
LI Zhongfang;ZHANG Minghua(School of Literature,Minnan Normal University,Zhangzhou,Fujian 363000,China)
出处
《南昌师范学院学报》
2025年第2期46-55,82,共11页
Journal of Nanchang Normal University
