摘要
铜雀台是曹魏政治中心邺都的第一高台,自建成之日起就进入了文学的视野。魏晋南北朝诗文中的铜雀台意象意蕴丰富:或高歌声势煊赫之大魏基业,或承载铜雀伎人之寂寞哀怨,或象征邺下唱和之风流文化,或暗示汉魏六朝之沧桑历史。从高台建筑的宏丽到深宫伎人的悲情;从风流文化的遗响到六朝政权的变迁,呈现出“物—人—文—史”的流变与转型。随着文人视角的变化以及时代审美风气的变迁,铜雀台意象也在后世不断获得新的演绎。
The Bronze Sparrow Terrace,the tallest structure in Ye,the political center of Cao Wei,entered the literary imagination from the moment it was built.In the poetry and prose of the Wei,Jin,and Northern and Southern Dynasties,the imagery of the terrace is rich in cultural connotations:it sometimes celebrates the grandeur of the Cao Wei regime,sometimes embodies the loneliness and sorrow of the palace entertainers,sometimes symbolizes the refined literary culture of Ye,and at other times reflects upon the turbulent history of the Han,Wei,and Six Dynasties.From the majesty of the towering architecture to the sorrow of the secluded performers,from echoes of elegant poetic exchanges to the vicissitudes of political power in the Central Plains,the Bronze Sparrow Terrace represents a transformation across four layers—object,person,culture,and history.As aesthetic sensibilities and literary perspectives evolved over time,the imagery of the terrace continued to be reinterpreted and enriched in subsequent eras.
作者
丁太勰
DING Taixie(Zhejiang Yuexiu University of Foreign Languages,Shaoxing,Zhejiang 312000,China)
出处
《南昌师范学院学报》
2025年第2期39-45,共7页
Journal of Nanchang Normal University
基金
2024年度教育部人文社会科学研究青年基金项目“王献之集校释”(24YJC751006)。
关键词
魏晋南北朝诗文
铜雀台
意象
文化意蕴
poetry and prose of the Wei,Jin,and Northern and Southern Dynasties
Bronze Sparrow Terrace
imagery
cultural connotation
