摘要
安多扎念弹唱作为藏族传统音乐的重要形式,承载着安多藏族地区独特的文化记忆与精神内核。文章从音乐人类学视角出发,以“缘起—特性—共融”为逻辑脉络,探讨其文化生成机制、艺术特征及横向融合。在缘起层面,扎念弹唱肇始于藏传佛教仪式音乐与游牧生活吟唱的交融,从人类学所强调的概念切入,对扎念传入安多地区两种不同的说法进行辨证与阐述;就音乐特性而言,利用人类学的调查手法考证扎念琴从阿里扎念到龙头琴外在的形塑过程,以及从六弦到八弦的内在质变过程;在共融层面,利用音乐人类学的“概念—行为—音声”理论为依据,分析扎念在其民族信仰的熏陶下,经历了信仰、民歌及藏戏的三重融合,共同构成藏族民众表达信仰、传递历史的艺术形式。
As an important form of traditional Tibetan music,the Anduo Zhanian singing and playing carries the unique cultural memory and spiritual core of the Anduo Tibetan region.Currently,there are few studies that explore it from the perspective of ethnomusicology.This article,starting from the perspective of ethnomusicology,follows the logical thread of"origin■characteristics-integration",to explore its cultural formation mechanism,artistic features and horizontal integration.At the origin level,the Zhanian singing and playing originated from the integration of Tibetan Buddhist ritual music and the singing of nomadic life.From the concepts emphasized by anthropology,it dialectically discusses and expounds on the two different accounts of the introduction of the Zhanianqin to the Anduo region.Regarding the musical characteristics,it uses the investigation methods of anthropology to verify the external shaping process of the Zhanian from the Ali Zhanina to the dragon-head zhanian,as well as the internal qualitative change process from six strings to eight strings.At the integration level,based on the"concept-behavior-sound"theory of ethnomusicology,it analyzes that the Zhanian,under the influence of its ethnic beliefs,has undergone a triple integration of faith,folk songs and Tibetan opera,jointly constituting an artistic form for the Tibetan people to express their beliefs and convey history.
作者
赵学武
王军芳
ZHAO Xuewu;WANG Junfang(School of Music and Dance,Gansu Minzu Normal University,Hezuo Gansu 747000)
出处
《甘肃高师学报》
2025年第2期130-136,共7页
Journal of Gansu Normal Colleges
基金
2023年度教育部人文社会科学研究青年基金项目“音乐人类学视野下安多藏区扎念弹唱传承谱系及人文叙述”(23YGC760170)。
关键词
安多扎念弹唱
缘起
特性
共融
音乐人类学阐述
Anduo Zhanian singing and playing
origin
characteristics
integration
exposition of musical anthropology
