摘要
王德威的“抒情现代性”范式试图通过挖掘现代中国文学史中的抒情话语,呈现抒情、启蒙、革命三种史观叙述的张力。在范式构建的过程中,王德威对沈从文抒情思想的创造性阐释构成重要环节。因循沈从文的“抒情考古学”,王德威指出“抒情”之为一种编码形式和历史话语。而借由沈从文对于“有情”与“事功”的辩证,王德威进而从抒情话语中延伸出现代性范畴下“抒情史观”与“史诗史观”的对话,思考从抒情话语中重建新的文学史叙述范式的可能性。
David Wang’s paradigm of“lyrical modernity”attempts to present the tension of three historical views:lyricism,enlightenment,and revolution by exploring lyrical discourse in modern Chinese cultural history.In this process,David Wang’s creative interpretation of Shen Congwen’s lyrical thoughts constitutes an important link.Following Shen Congwen’s“lyrical archaeology”,Wang pointed out that“lyricism”is a form of encoding and historical discourse.Through Shen Congwen’s dialectical analysis of“emotion”and“achievement”,Wang further extends the dialogue between“lyrical historical views”and“epic historical views”in the category of contemporary literature from lyrical discourse,contemplating the possibility of reconstructing a new narrative paradigm of literary history from lyrical discourse.
作者
关泽琳
Guan Zelin(Sichuan University,Chengdu 610207,China)
出处
《黑河学院学报》
2025年第4期178-181,共4页
Journal of Heihe University
关键词
王德威
抒情现代性
沈从文
文学史
David Wang
lyrical modernity
Shen Congwen
literary history
