摘要
湾漳墓出土陶塑数量惊人,种类丰富,制作技艺精湛,形象塑造生动,可谓北朝造像技艺之杰作。本文运用考古类型学、艺术史分析与文献考证方法,从“空间—符号—文化”三维视角解读湾漳墓陶塑的艺术风格及其时代语境。湾漳墓陶塑以胡风雄健与汉韵清秀的双重造型语言、多元装饰符号的杂糅性表达以及多层次空间叙事,构建了兼具现实镜像与天国想象的复合墓葬空间,反映出北朝时期鲜卑族、汉族等民族交融,佛教、萨满教等宗教互动的盛况。
The ceramic sculptures unearthed from the Wanzhang Tomb exhibit an astonishing quantity,remarkable diversity,and exquisite craftsmanship,with vividly rendered forms that stand as masterpieces of Northern Dynasties sculptural artistry.This study employs methodologies of archaeological typology,art historical analysis,and textual criticism to interpret the artistic style and cultural context of these sculptures through a tripartite analytical framework encompassing"space-symbol-culture"Characterized by their dual visual language–blending the vigorous aesthetic of Northern nomadic traditions with the refined elegance of Han Chinese conventions–along with hybridized decorative motifs and multi-layered spatial narratives,the Wanzhang Tomb sculptures construct a composite mortuary space that merges realistic reflections of earthly life with celestial imaginings.They serve as material testaments to the dynamic cultural amalgamation between Xianbei and Han ethnic groups,as well as the religious syncretism between Buddhism and Shamanism during the Northern Dynasties period.
出处
《中国陶瓷工业》
2025年第2期24-29,共6页
China Ceramic Industry
关键词
湾漳墓
陶塑
文化交融
北朝
Wanzhang tomb
the sculptures of pottery
cultural blending
northern dynasties
