摘要
本文以现象学的视角考察布朗肖的文艺理论,认为其文学批评符合现象学理论特点,应用了现象学的研究方法,构成了独特的文学现象学思想体系。文章从诗性语言、文学书写的本质孤独、死亡与文学三个方面分析了布朗肖文学现象学的构成和还原方法,探讨了文学性的本质、存在的遮蔽、死亡的二重性等一系列文学现象学核心问题,同时将布朗肖的思想与胡塞尔、海德格尔、列维纳斯等人的现象学及存在论相比较,展现了其文学现象学的原创性——在对绝对不显现之物的现象学还原过程中超越“存在”,揭示“中性”,走向“外边”。
The article analyses Maurice Blanchot's literary theory from a phenomenological angle in considering Blanchot's literary criticism as a holistic phenomenological system.We tackled the problem of its construction and development from three aspects:poetic language,writing and essential solitude,death and literature.Crucial issues such as the“eidos”of literariness,the occultation of Being,the duplicity of death are deeply dressed upon.The article also compares M.B.'s thinking with traditional phenomenological or existential thinkers such as Husserl,Heidegger and Levinas,so as to demonstrate the originality of M.B.'s literary phenomenology:by applying phenomenological reduction to absolute invisible things,it transcends Being,reveals“Neutral”,steps into the“Outside”.
关键词
布朗肖
现象学
文学
存在
死亡
Blanchot
Phenomenology
Literature
Being
Death
