摘要
法国作曲家杜萨庞,因其对于线状形态的喜爱,所创作的音乐作品往往以旋律出发,用线条构筑各种形式的织体形态,这也成为他的主要音乐创作特征之一。以杜萨庞的小提琴协奏曲《四方形》为切入点,对杜萨庞创作中,基于音画通感所形成的线状织体的基本构成和组织方式,以及其他因素在这一过程中产生的作用等问题展开讨论,以期通过该作品,对基于音画通感的线状织体在协奏曲创作中的运用这一创作技法进行深入探究。
The French composer Dusapont,because of his love for linear forms,often created musical works with melody,using lines to construct various texture,which has become one of his main musical characteristics.This study examines Dusapin's violin concerto "Quad for Violin and Chamber Orchestra(1996)",focusing on the fundamental construction and organization of line—based textures formed through synesthesia between sound and visual imagery.It explores how these techniques enrich the concerto's compositional framework.
出处
《音乐文化研究》
2025年第1期139-148,共10页
Music Culture Studies
关键词
音画通感
线状织体
杜萨庞
小提琴协奏曲
《四方形》
Synesthesia
line-based textures
Pascal Dusapin
Quad concerto for violin and small orchestra
