摘要
中国传统音乐渗透着国人的感知思维以及心理情感,并模塑了人们的生命观、世界观、审美观。从美学维度来考察,可以触及最为丰富敏感的文化心理与审美经验,并有助于实现文明互鉴。“一曲多变”是中国传统音乐中存在的客观现象,也是最常采用的创作发展手段。周大风“一曲多变应用”美学命题,独具中国特色、中国风格,以马克思主义实践论为基础,承继、创造性转化了传统美学研究,建基于话语体系的创新,完善已有的研究范式,是构建中国音乐美学自主知识体系的具体实践。
Chinese traditional music embodies cognitive thinking and emotion,shaping their views on life,the world,and aesthetics.Analyzing it from an aesthetic perspective reveals a wealth of culturaland aesthetic experiences,fostering mutual understanding among civilizations."One melody,multiple variations" is a widely used compositional method in Chinese music.Zhou Dafeng' s works uniquely reflect Chinese characteristics and style.Grounded in Marxist praxis,it creatively transforms traditional aesthetic studies,establishes innovative systems,and refines existing research paradigms.It represents a concrete practice in building asystem of Chinese music aesthetics.
出处
《音乐文化研究》
2025年第1期84-92,共9页
Music Culture Studies
关键词
周大风
一曲多变应用
中国音乐美学
自主知识产权
Zhou Dafeng
application of variation on a theme
rational core
theoretical significance
