摘要
在狎妓、蓄妓之风盛行的宋代,女乐群体及其表演活动成为文士日常社交娱乐中不可或缺的一部分。面对宋代女乐这一由于时间间隔构建起的“他者”,以音乐人类学的历史田野为方法,从女乐与文士的社交范畴切入,关注在“狎妓令”下士林仍然留心声色的语境中,女乐在宴饮场合中的音乐活动及其与文士的社交往来,并以三位书写者笔下的女乐温琬为个案进行探索,分析“他者”书写所体现出的性别话语是如何塑造并影响女乐的。
In the Song Dynasty,when frequenting brothels and patronizing courtesans were widespread,female courtesans and their artistic performances were integral to the daily lives of many literati.This article employs a historical ethnomusicological fieldwork approach to investigate the social activities of courtesans during the period of the "anti—courtesan decree." It examines courtesans' roles in banquet settings,their interactions with literati,and their representation in contemporary writings.Using courtesan Wen Wan as a case study,this research analyses how gender discourse shaped the depiction and perception of courtesans in this period.
作者
王子君
洛秦
Wang Zijun;Luo Qin
出处
《音乐文化研究》
2025年第1期66-74,共9页
Music Culture Studies
关键词
宋代女乐
文士
历史田野
性别
权力
Courtesans in Song Dynasty
literati
historical fieldwork
gender
power
