摘要
“李杜酒徒”说是弘治十八年内阁首辅刘健提出的一个偏于极端化的诗学批评主张,它初始的直接激发动因是庶吉士培养上的群体性制度要求与培养对象个体性文学偏好的冲突,同时也反映了台阁群体与郎署阶层在文化心态与文学观念上的背离,又暗含了台阁臣僚之间因个性气质、文学才华的差异性而导致的半隐半显的抵牾冲突。
The"Li-Du Drunkards"theory was a radical poetic criticism put forward by Liu Jian,the Chief Cabinet Minister in the eighteenth year of the Hongzhi era.Its initial impetus stemmed from the conflict between the collective institutional demands of the Shujishi(Imperial Academy)training program and the individual literary preferences of its trainees.It also reflected the divergence in cultural mentality and literary concepts between the Taige(Cabinet)group and the Lang-shu(Bureau)stratum.Additionally,it implied the semi-concealed conflicts among cabinet officials due to differences in personality,temperament,and literary talent.
出处
《淮南师范学院学报》
2025年第1期90-94,共5页
Journal of Huainan Normal University
基金
安徽省教育厅人文社科重点项目“唐诗学视域下的‘李杜’说研究”(2023AH051515)。
关键词
李杜酒徒说
刘健
李梦阳
台阁
郎署
Li-Du Drunkards Theory
Liu Jian
Li Mengyang
Tai-ge(Cabinet)
Lang-shu(Bureau)
