摘要
透明性自柯林·罗提出以来,在被霍伊斯里拓展为广义透明性后,这个概念在如今以新的形式被应用,该文从透明性的历史和演化方向开始,研究苏黎世联邦理工大学(ETH)建筑学院的设计主张,着眼于教授克里斯蒂安·克雷兹(Christian Kerez)的空间设计,在结构探索的条件之下空间中涵盖的广义透明性借由空间集(Space Anthology)来表达,依此罗列和对比其设计作品并总结其在透明性语境下的空间构造思想,解读其独特性和前瞻性。
Transparency has been extended to a generalized sense of transparency by Hoisley since Colin Roe proposed,and the concept is now being applied in a new form,starting from the historical and evolutionary direction of transparency,we study the design proposition of the School of Architecture of ETH Zurich Federal Institute of Technology(ETH),focusing on the spatial design of Professor Christian Kerez,and the generalized transparency covered in the space under the conditions of structural exploration is expressed through the space set(Space Anthology),which lists and compares his design works and summarizes his ideas on spatial construction in the context of transparency.
作者
许愿驰
韦庚男
Xu Yuanchi;Wei Gengnan
出处
《华中建筑》
2025年第3期85-89,共5页
Huazhong Architecture
关键词
克里斯蒂安·克雷兹
广义透明性
建筑设计
空间集
建筑构造
Christian Kerez
Transparency
Architectural design
Space Anthology
Architectural construction
