摘要
建筑图像作为建筑史研究的重要方法,在18-19世纪欧洲的建筑师、学者或工程师对古典建筑原理的探究过程中发挥了重要的作用。这时期的图像作为一种视觉思维,表现出鲜明的科学特征,不再是单纯对现实的再现,而是建筑师逻辑思维的呈现和对现实的再创造。文章对19世纪诸多新学科理论的图形策略及其对建筑师建筑图像的影响进行了介绍,并梳理了这一时期贯穿始终的建筑分析图像的演变过程,指出历史学家在建筑图像视角拓展中的关键地位和现实意义。
Architectural images,as an important method for the study of architectural history,played an important role in the 18^(th)-19^(th) century European architects,scholars or engineers in the process of enquiry into the principles of classical architecture.Images in this period,as a kind of non-verbal thinking,showed a distinct scientific character,no longer a mere reproduction of reality,but a presentation of the architect’s logical thinking and a re-creation of reality.The article introduces the graphic strategies of many new disciplinary theories in the 19^(th) century and their influence on architects’architectural images,and comprehends the evolution of architectural analysis of images throughout this period,highlighting the crucial role and practical significance of historians in expanding the perspective of architectural images.
作者
胡莲
李潇然
HU Lian;LI Xiaoran
出处
《建筑师》
2025年第1期34-43,共10页
The Architect
关键词
跨学科理论
建筑图像
视觉思维
Interdisciplinary theory
Architectural images
Non-verbal thinking
