摘要
在青海乌兰县泉沟一号墓中出土的金带把杯是为数不多的经考古发掘出土的吐蕃金器。从形制和装饰特征上看,这件金带把杯大体同粟特、唐代及吐蕃三个文化系统相关联,显示出吐蕃工匠对唐和粟特文化的吸收与借鉴。该杯的出现并非偶然,而是吐蕃时期多元文化因素相互交织的重要表现。在多元文化的交流过程中,吐蕃人尤其展现出了对粟特文化的认同。
The gold handled cup excavated from the Quangou Cemetery Tomb No.1 in Qinghai is a rare example of Tubo goldware recovered from archaeological excavations.In terms of shape and decoration,this cup exhibits craftsmanship that can be attributed to Sogdian,Tang,and Tubo traditions.The intricate pattern reflects the influence of both Tang and Sogdian artistic practices on Tubo artisans.The cup’s design is not merely incidental;it serves as a significant representation of the multicultural exchanges that occurred during the Tubo period.Through this process of cultural interaction,the Tubo population demonstrated a strong identification with the Sogdian culture.
出处
《考古与文物》
北大核心
2025年第2期96-104,共9页
Archaeology and Cultural Relics
基金
国家社科基金重大项目“隋唐五代壁画墓与中古文化变迁研究”(编号:20&ZD249)的阶段性成果。
关键词
泉沟一号墓
吐蕃
金带把杯
粟特
Quangou Cemetery Tomb No.1
Tubo
Gold handled cup
Sogdian
