摘要
1929年西湖博览会壁画不仅是20世纪前期中国壁画艺术实践的重要案例,也是中国公共空间城市景观研究的一次大胆尝试。西湖博览会壁画依托于博览会建筑、由留法主攻建筑与图案的刘既漂承接设计,充分体现出他所倡导的“美术建筑”观念——建筑有其本体的美感基础。壁画在“美术建筑”中属于建筑美感的一种表现形式。本文通过研究西湖博览会建筑中的壁画案例,进而讨论20世纪初期中国对于现代壁画的接受与实践。
The murals of the 1929 West Lake Exposition are not only an important example of Chinese mural art practice in the early 20th century,but also a bold attempt to study the urban landscape of Chinese public spaces.The murals of the West Lake Exposition were based on the architecture of the exhibition buildings which were designed by Liu Jipiao,majoring in architecture and pattern design in France.They fully embody the concept of"artistic architecture"advocated by Liu,who asserted that architecture had its own foundation of beauty.Murals are a form of expression of architectural beauty in"artistic architecture".This article discusses the acceptance and practice of modem murals in China in the early 20th century by studying the murals in the architecture of the West Lake Exposition.
出处
《公共艺术》
2024年第4期90-95,共6页
Public Art
关键词
西湖博览会
美术建筑
壁画
建筑装饰
公共空间
West Lake Exposition
artistic architecture
murals
architectural decoration
public space
