摘要
中国“画学”之“学”,作为“学科”之义,是本土资源与西方现代学科意识共同作用的结果。20世纪初,学科意识觉醒,各学科建设掀起了高潮,“画学”也进入自觉阶段,逐渐从创作研究发展为理论研究,从“历史的—实用的”研究发展为“体系的—哲学的”研究。如何在西学语境下表述中国画学的民族内涵,完成传统画学的现代转换,成为时代使命。尽管也有学者试图建构中国画学的完整体系,但通过文献整理,将史料在西学框架中进行分类,仍是主流。这造成了现代学科框架与传统话语方式的脱节,同时在救国救亡的历史语境中,在西学主导的时代背景中,中国画学也呈现出了功利主义取向、时代语境错位和二元对立思维等局限,清醒地认识到这些局限,是21世纪中国画学研究的前提。
Chinese painting,as a discipline,is the result of the joint action of local resources and western modern consciousness.At the beginning of the 20th century,with the awakening of modern discipline consciousness,the construction of various disciplines has set off a climax,“Chinese painting”has also entered the stage of consciousness,and gradually developed from paintings research to theoretical research,from historical-pragmatic research to systematic-philosophical research.How to express the national connotation of Chinese painting in the Western context and complete the modern transformation of traditional painting,has become the mission of the times.Although some scholars try to construct a complete system of Chinese painting,it is still the mainstream to classify the historical materials in the framework of Western discipline.This has resulted in the disconnection between the framework of modern disciplines and the traditional way of discourse.At the same time,in the historical context of saving the country,and in the era background dominated by Western perception,Chinese painting presents limitations such as utilitarian orientation,era context dislocation and binary opposition thinking.It is the premise of Chinese painting research in the 21th century to clearly recognize these limitations.
作者
黄晨
庄雅清
Huang Chen;Zhuang Yaqing(College of Fine Arts,Sichuan University,Chengdu 610065,Sichuan,China)
出处
《学术探索》
2025年第1期108-115,共8页
Academic Exploration
关键词
中国“画学”
现代学科
概念史
学科史
discipline of Chinese painting
modern discipline
history of concepts
history of disciplines
