摘要
史料自觉、方法自觉和阐释路径是在历史研究中开展视觉性实践的三个方面,它们在历史研究中推进以跨学科为特征的视觉性实践过程中具有重要的方法论意义。只有从历史研究的技术层面(如批判性视觉方法论)和历史哲学层面(如美学层面的形象思维和形象建构)着手,养成文化史语境的自觉意识,树立材料平等的观念,才能真正“解密”形象材料,最大限度地发挥形象材料的独立价值与历史价值,进而在文化传承继替的时代语境下,“发明”形象材料的现代价值,延展其现实意义。
This paper elaborates on both the methodological significance and interdisciplinary implications of pushing forward visual practices in historical research, from three aspects: awareness of historic materials, methodological awareness, and interpretive paths.It argues that only by starting from the technical level(such as critical visual methodology) and philosophical level(such as aesthetic level of image thinking and image construction) of historical research can one cultivate a conscious awareness of cultural history and establish a concept of material equality.Only then can we truly “decrypt” image materials, maximize the independent value and historical value of image materials, and “invent” the modern value of image materials in the context of cultural inheritance and succession, extending their practical significance.
出处
《史学月刊》
北大核心
2025年第1期115-124,共10页
Journal of Historical Science
基金
古文字与中华文明传承发展工程规划项目“秦汉形象文化史”(G2608)。
关键词
历史美学
学科融合
视觉性
视觉素养
形象阐释
History Aesthetics
Disciplinary Integration
Visuality
Visual Literacy
Image Interpretation
