摘要
20世纪90年代地域美术史研究成果开始逐渐出现,2010年之后地域工艺美术史写作呈现不断升温的趋势,构成了一个重要的学术增长点。地域工艺美术史写作往往以中国工艺美术史为模板,运用“历史分期+门类细分”的写作框架以及“地理环境决定论”的思维方式,使得地域工艺美术史成为中国工艺美术史的翻版,不同程度遮蔽了地域工艺美术的演变脉络与地域文化特性。对“地域个性”的深描是地域工艺美术史写作突破现有模式的有效策略。
Research findings in regional art history began to appear in the 1990s,and since 2010,the writing of regional industrial arts history has been gaining increasing attention,which has become an important academic growth point.Most writings of regional industrial arts history tend to take the writing of Chinese industrial arts history as a template,featured by a writing framework of"historical periodization and category subdivision"and a way of thinking based on"geographical determinism".In this case,the writing of regional industrial arts history turns into a replica of the writing of Chinese industrial arts history,making it difficult to show the evolutionary trajectory and cultural characteristics of regional industrial arts to varying degrees.This paper puts forward that the thick description of"regional character"can be considered as an effective strategy to break through the existing paradigm in the writing of regional industrial arts history.
作者
怀康
杜怀瑾
Huai Kang;Du Huaijin
出处
《美术观察》
北大核心
2025年第2期113-115,共3页
Art Observation
基金
国家社科基金艺术学重大项目“新时代中国工艺美术发展策略研究”阶段性成果,项目编号:20ZD08。
关键词
地域工艺美术史
地域文化
深描
the history of regional industrial arts
regional culture
thick description
