摘要
法国先锋派戏剧理论家、导演安托南·阿尔托(Antonin Artaud)与否定神学①的关系问题可谓是现代欧洲思想史上的一个难题。正如我们不能简单地通过“上帝死了”判定尼采为无神论者或消极的虚无主义者一样,我们同样也不能简单地处理阿尔托的反上帝言论。阿尔托的反上帝言论主要集中在他后期的作品中。
There exists a profound connection between Negative Theology and the theological discourse of Antonin Artaud in his later years.In using deconstruction to understand Artaud’s writing,Derrida interprets Artaud’s soteriology as a path of negation heading towards impossibility and thereby“saved”Negative Theology from its own historical fate through this reconceptualisation.However,upon reading Artaud’s texts,two key observations emerge:firstly,Artaud’s theological discourse draws upon a rich tapestry of influences,including Gnosticism,occultism,solar mythology,astrology,and more;secondly,Artaud’s thought exhibits a pronounced inclination toward dichotomy.By embracing the spirit of negation,Artaud seeks a return to existence withinÊtre.For us,Negative Theology cannot be confined solely to the approach and discourse of an entirely transcendent God through negation.Artaud offers a“new way,”one that transcends the dichotomy between positive and negative,ushering us into an entirely different mode of expression.
作者
郭玉婵
GUO Yuchan(School of Humanities,Tsinghua University)
出处
《基督教文化学刊》
2023年第2期103-122,共20页
Journal for the Study of Christian Culture
