摘要
本文詳细比較了敦煌本《俗講莊嚴回向文》和法照《略法事儀贊》中的莊嚴文,探討了“莊嚴”的含義和宗教功能,認爲“莊嚴”應該理解爲“將道場與净土等同,希望世俗世界的全部國土向佛國和净土靠攏”,這樣才更接近莊嚴文的主旨。莊嚴文也如押座文一樣逐漸成爲後代白話小説入話的韻文和開頭部分不可缺少的要素。
This paper compares in detail the“solemn text”of Dunhuang's“The Sujiang Zhuangyan Huixiang Wen”and the“solemn text”of Fa Zhao’s“Luefa Shiyi Zan”,and discusses the meaning and religious function of“solemn”.It is believed that“solemnity”should be understood as“equating the dojo with the pure land,hoping that the entire land of the solemn secular world will move closer to the Buddha country and the pure land”,so as to get closer to the main theme of the“solemn text”.The solemn text has gradually become an indispensable element of the rhyme or opening part of the later generations of words and popular novels.
出处
《中国俗文化研究》
2023年第2期3-16,共14页
Studies on Folk Literature
关键词
俗講
莊嚴文
白話小説
Sujiang
Zhuangyan wen
popular novels
