摘要
自科幻作为一种类型诞生以来,神话就与其有着千丝万缕的联系。德里达用“幽灵”一词来谈论本体论之外的思考,而神话在科幻电影中就处于这样的“幽灵”状态。科幻电影中的神话“幽灵”是我们体验科幻崇高的重要途径。不同于技术崇高的理性崇拜,它召唤我们超越主体见证“非人”。而在这种非确定性背后,神话的“幽灵”最终向我们揭示的是艺术重建一体性的冲动,提示我们重返魔术周相去寻找超越人类世的新的可能性。
Since the inception of science fiction as a genre,myth has been inextricably linked to its narratives.Derrida's concept of the"specter"invites us to think beyond ontology,positioning myth in a"specter"state within science fiction films.This"specter"of myth serves as a crucial avenue for experiencing the sublime in science fiction.Unlike the rational admiration of the technological sublime,it encourages us to transcend the subject and engage with the"inhuman",Beneath this non-determinism,the"specter"of myth ultimately reveals art's impulse to reconstruct unity,urging us to return to the magical phase in search of new possibilities beyond the Anthropocene.
出处
《电影艺术》
北大核心
2025年第1期87-92,共6页
Film Art
关键词
科幻电影
神话
幽灵
非人
崇高
一体性
science fiction films
myth
specter
inhuman
sublime
unity
