摘要
长江下游作为我国独立起源、发展的考古学文化区系之一,其早期音乐文明在管乐器文化功能的衍化发展中,产生出务实、创新、进取的区域文化特质。文章在广义先秦时期的音乐文化语境中,对长江下游管乐器相关考古发现进行考察,探究其文化功能,认为长江下游先秦管乐器经历了由“边界模糊”到“二元共存”的发展期,至春秋战国时期,长江下游管乐器的文化功能包含有华夏礼乐文化、荆楚巫觋文化的“嵌入式”融合。
As one of China’s distinct archaeological cultural systems with independent origins and development,the Lower Yangtze River region demonstrates an innovative regional cultural character,particularly evident in the evolution of its early musical civilisation through wind instruments.This article examines the archaeological discoveries of wind instruments in the Lower Yangtze River region and explores their cultural functions.It argues that Fre-Qin wind instruments in this region underwent a transition from“blurred boundaries”to a phase of“binary coexistence.”By the Spring and Autumn and Warring States periods,these instruments’cultural functions reflected an“embedded”integration of Huaxia ritual music culture and the shamanistic culture of Jing and Chu.
出处
《音乐文化研究》
2024年第4期138-148,共11页
Music Culture Studies
基金
国家社科基金重大项目“中国古管乐器文献、图像及文物资料集成与研究”(项目编号:17ZDA245)子课题“古代管乐的图像学资料集成与甄辨”的阶段性研究成果,并由“中国音乐学院研究生培养科研资助项目”资助。
关键词
长江下游
先秦
管乐器
文化功能
Lower Yangtze Riven Pre-Qin
wind instruments
cultural function
