摘要
《文城》主人公在南北场域的穿梭显示出余华通过搭建空间推进小说叙述的创作尝试。其中,空间不仅作为故事背景出现以描画南北空间的地貌与人文风情,同时也实现了与主题和人物的互动,进而使《文城》在虚实场域中具备了寓言性质,显示出余华对南北文化的观察与认知。走进余华精心设计的南北空间,分析余华铺陈的文化图景,可以发掘余华创作的动力源所在。
The protagonist of Wen Cheng travels between the South and the North,demonstrating Yu Hua’s creative attempt to promote the novel’s narrative through space construction.Space not only appears as the backdrop in the depictions of the topography and humanistic customs of the South and the North but also enables the interactions of theme and characters.This endows Wen Cheng with an allegorical nature in the real and virtual worlds,showing Yu Hua’s observations and perception of the northern and southern cultures.By exploring the northern and southern spaces and the cultural panorama Yu Hua intricately designs and portrays,readers can grasp the source of his creative motivation.
作者
刘丹
LIU Dan(Liaoning Normal University,Dalian 116000,China)
出处
《扬州教育学院学报》
2024年第4期42-45,61,共5页
Journal of Yangzhou College of Education
基金
辽宁省教育厅高校基本科研项目(人文社科类)面上项目(JYTMS20231086)。
关键词
南北叙事
《文城》
空间性
叙事策略
northern and southern narrative
Wen Cheng
spatiality
narrative strategy
