摘要
分析近三十年的中国边疆题材纪录片,发现中西方纪录片基于各自叙事意图,通过“自我”与“他者”的表征共同建构了中国边疆的话语和影像符号,并由此发展出鲜明的边疆叙事特征和审美形式。中国纪录片采用了内视角与散文式叙事结构,西方纪录片则以外视角和戏剧化结构为主,在中西纪录片中,中国边疆分别被刻画为整体的意象空间与他者的现实空间。而当下新的中国边疆叙事亟待提高国际传播的效力,站在人类学的视角来重新审视时,能发现他者智慧与协商之道。纪录片是讲述中国边疆故事的重要载体,中国纪录片应建构自身的话语与策略,并在与“他者”的对话中展现多元、真实、生动的边疆形象。
Based on the analysis of Chinese frontier documentaries in the past 30 years,it is found that Chinese and Western documentaries jointly construct the discourse and image symbols of China's frontier through the representation of"the ego"and"the other"based on their own narrative intentions,and thus develop distinct narrative characteristics and aesthetic forms of the frontier.Chinese documentaries adopt the internal perspective and prose narrative structure,while western documentaries mainly adopt the external perspective and dramatic structure.In Chinese and Western documentaries,The Chinese frontier is respectively depicted as the overall image space and the reality space of the other.And the new Chinese frontier narrative urgently needs to improve the effectiveness of international communication,finds the wisdom and the way of negotiation of the other when it is re-examined from the anthropological perspective.Documentary is an important carrier to tell Chinese stories,Chinese documentary should construct its own discourse system,and show the pluralistic,real and vivid images of the frontier in the dialogue with"the other".
作者
王庆福
张贻苒
WANG Qing-fu;ZHANG Yi-ran(School of Journalism and Communication,Shanghai International Studies University,Shanghai,201620,China;School of Film and TV,Yunnan Arts University,Kunming,Yunnan,650500,China)
出处
《西华大学学报（哲学社会科学版）》
2024年第5期89-98,共10页
Journal of Xihua University(Philosophy & Social Sciences)
基金
国家社会科学基金艺术学一般项目“纪录片讲述中国故事的叙事策略研究”(项目编号:18BC036)
教育部人文社会科学研究一般项目“西南边疆民族艺术传播铸牢中华民族共同体意识的涵化路径研究”。
关键词
中西纪录片
中国边疆
叙事
他者
Chinese and Western documentary
the Chinese frontier
narrative
the other
