摘要
历史上,东北“三少民族”(达斡尔族、鄂温克族和鄂伦春族)常常游弋于群山峻岭之间,与山川河流为伴,创造了独具特色的传统木工艺文化。随着时代的流转和社会的变迁,这种历史悠久的传统文化逐渐遇到发展困境。媒介及其变迁作为影响当前社会文化的一个关键因素,应该对这三个民族的传统木工艺的保护与传承起到重要作用。目前,除了运用各种现代技术手段对这些工艺进行充分的媒介留存之外,还应探索相关传承工作与各种传播渠道的融合,提升其效率和质量。民族文字的缺失与长期封闭的生存环境使东北“三少民族”进入媒介化社会的历史相对短暂,其传统木工艺的保护与传承不仅需要艺人自身的努力,还需要民众广泛参与构建相应的情境,而快速发展的媒介可以在这一工作进程中发挥不应忽视的作用。
In history,the“three ethnic minorities”in Northeast China(Daur,Ewenki,and Oroqen)often roamed among the mountains and rivers,creating a unique traditional wood craft culture.With the passage of time and social changes,this long-standing traditional culture is gradually facing development difficulties.As a key factor influencing current social culture,media and its changes should play an important role in protecting and inheriting the traditional wood crafts of these three ethnic groups.At present,in addition to utilizing various modern technological means to fully preserve these crafts through media,it is also necessary to explore the integration of related inheritance work and various communication channels to improve their efficiency and quality.The lack of ethnic scripts and the long-term closed living environment have made the history of the“three ethnic minorities”in Northeast China entering the media society relatively short.The protection and inheritance of their traditional wood crafts not only require the efforts of artists themselves,but also the extensive participation of the public in constructing corresponding contexts.The rapidly developing media can play an important role in this work process that should not be ignored.
出处
《艺术传播研究》
CSSCI
2024年第5期73-80,共8页
Journal of Art Communication
基金
教育部人文社会科学项目“东北‘三少民族’传统木工艺的挖掘、整理及数据库建设研究”(编号:20YJC760090)
吉林省社会科学基金项目“吉林省朝鲜族传统装饰图案的文化基因提取及设计应用研究”(编号:2024B106)的阶段性成果。
关键词
媒介变迁
传统木工艺
“三少民族”
东北工艺
非物质文化遗产
evolution of media
traditional woodcraft
“three ethnic minorities”
crafts of Northeast China
intangible cultural heritage
