摘要
明清官窑青花瓷的植物纹饰具有强烈的二维程式化特征,运用欧文·潘诺夫斯基的图像学理论,从前图像志分析、图像志分析,以及图像学释义三个层次进行深入研究和探索。引用母题、象征等图像学概念,完整论述官窑青花瓷植物纹饰所包含的图像学释义。
The plant patterns in Ming Dynasty official kiln blue and white porcelain have strong two-dimensional programmatic characteristics.Using Erwin Panofsky's image theory,in-depth study and exploration are conducted from three levels:pre-iconographic,iconography and iconology.By citing the imagery concepts such as motifs and symbols,the imagery interpretation contained in the plant patterns in the blue and white porcelain of official kilns were comprehensively discussed.
作者
余佳祯
方兰轩
张亚林
YU Jiazhen;FANG Lanxuan;ZHANG Yalin(Jingdezhen Ceramic University,Jingdezhen 333403,Jiangxi,China)
出处
《陶瓷学报》
CAS
北大核心
2024年第2期429-436,共8页
Journal of Ceramics
基金
2020年度江西省文化艺术科学规划项目(YG2020090)。
关键词
图像学
官窑
青花瓷
植物纹
象征
母题
iconography
official kiln
blue and white porcelain
plant pattern
symbol
motif
