摘要
唯美主义的核心口号是“为艺术而艺术”,其终极追求是在艺术的纯粹形式中获得审美解放。随着西学东渐,唯美主义传播到中国。这一理论思潮在观照中国问题的时候不得不与中国历史事实相结合而经历重新调校,其理论的生成、建构、实践、消解都与中国社会发生着千丝万缕的联系,从而形成中国的唯美主义文艺思潮。社会学视域的分析是认识中国唯美主义文艺思潮理论谱系的重要路径,有利于将中国唯美主义文艺思潮的理论谱系以澄明、敞开的状态呈现于历史面前,有利于丰富对中国唯美主义文艺思潮理论谱系理解的阐释维度。
The core slogan of aestheticism is“Art for Art's sake”,and its pursuit lies in obtaining aesthetic liberation in the pure form of art.With the spread of western learning to the east,aestheticism spread to China,and this theoretical trend of thought had to be combined with Chinese historical facts and readjusted when taking care of China's problems.The formation,construction,practice and dissolution of its theory all incorporated the factors of China's social structure,thus forming China's aesthetic literary trend of thought.Analyzing from the perspective of sociology is an important way to understand the theoretical pedigree of Chinese aestheticism,which is conducive to presenting the theoretical pedigree of Chinese aestheticism in a clear and open state in front of history and enriching the interpretation dimension of understanding the theoretical pedigree of Chinese aestheticism.
作者
李桂全
LI Gui-quan(School of Chinese Language and Literature,Suzhou University of Science and Technology,Suzhou 215009,China)
出处
《哈尔滨工业大学学报（社会科学版）》
CSSCI
2024年第1期75-83,共9页
Journal of Harbin Institute of Technology(Social Sciences Edition)
基金
教育部人文社会科学研究青年项目“中国唯美主义文艺思潮研究(1919—1937)”(22YJC751014)。
关键词
中国唯美主义文艺思潮
为艺术而艺术
艺术自律
艺术他律
理论谱系
Chinese aestheticism in literature and art
art for art s sake
artistic self-discipline
artistic heteronomy
theoretical genealogy
