摘要
深圳南头古城近年来的更新历程,可谓浓缩了当下中国社会与文化语境变迁的多方面想象,也见证了此地社会介入式艺术从无到有的历程.文章从作为艺术介入城市的客体"南头古城"出发,观察其分别被视作"城中村""古城"和"创意社区"时,如何反向塑造了介入主体的动机和实践过程,并反思如何推动艺术项目更可持续地介入城市空间与社区变革.
The recent regeneration program of Shenzhen's Nantou Old Town highlights multiple imaginative powers,in response to the changing Chinese society and culture,whilst witnessing the rise of socially engaged art here.The article proposes to treat Nantou as an object of urban art interventions and to find out how it has reversely shaped the intention of the subject of intervention and the practice process when it is perceived as an urban village,an ancient town,and a creative community respectively.This dllile dlsu Iellells UI luw sucll all plujells Lall drive urban space transformation and community evolution in a sustainable manner.
出处
《时代建筑》
2023年第4期52-56,共5页
Time + Architecture
关键词
艺术介入
社会艺术
南头古城
城市更新
城中村
Art Interventions
Socially Engaged Art
Nantou Old Town
Urban Regeneration,Urban Village
