摘要
在接受美学的视域下,文学的创作者和文学的接受者同在文学作品这一个整体之内,文学的接受者既读者对于文学作品有着无可替代的主观能动性,读者以其自身对文学作品创作的参与赋予了作品全新的意义和价值。编辑对于文学作品的挖掘和赋新是他们作为特殊的文学接受者群体无可替代的主观能动活动。在经济全球化和政治多极化深入发展,文化多样化朝世界各国汹涌而来的背景下,中国编辑出版行业的发展也关系到中国文化的“走出去”。
From the perspective of reception aesthetics,the creator of literature and the receiver of literature are within the whole of literary works.The receiver of literature is not only the reader has irreplaceable subjective initiative for literary works,but also the reader gives the works new significance and value with its own participation in the creation of literary works.As a special group of literature recipients,editors’exploration and renewal of literary works is an irreplaceable subjective active activity.Under the background of deepening economic globalization and political multi-polarization,and surging cultural diversity in the world,the development of China’s editing and publishing industry is also related to the“going out”of Chinese culture.
作者
肖宁
Xiao Ning(South China Normal University,Guangdong,510006)
出处
《语言与文化研究》
2023年第2期186-189,共4页
Language and Culture Research
关键词
接受美学
编辑
特殊文学接受者
挖掘
赋新
Reception aesthetics
Edit
Recipient of special literature
Dig
Endow with new vitality
