摘要
彼得·海斯勒在其“非虚构”文本中塑造了一系列中国形象。海斯勒按照本国社会的模式,使用本社会话语对体制内的一些中国人形象进行描述;以令人不甚愉悦的语言概括中国小城形象,有以偏概全之嫌。海斯勒笔下还频繁出现“廉价”“围观”之类的词汇,中国的人和物都成为其俯视和审判的对象。海斯勒以亲善的态度对中国形象进行书写,既基于中国现实,又非对中国形象的全然复现,所塑造的是他这个异国人共同参与、融入和解释的“中国形象”。
Peter Hessler creates a series of China images in his non-fi ctional works.He evaluates some people within Chinese social systme in accordance with his social discourse.He describes the images of small cities in China in unpleasant terms,which seems to be an overgeneralization.And,he frequently uses the derogatory terms such as“cheap”and“onlookers”;therefore the people and things in China all become the objects being judged in his works.Hessler depicts China images in a benevolent manner,which were partially based on the reality of China.The China images in Hessler’s works are the ones he involved and interpreted as a foreigner.
作者
张慧云
Zhang Huiyun(School of Liberal Arts,Pingdingshan University,Pingdingshan 467000,China)
出处
《黑河学院学报》
2023年第8期113-115,150,共4页
Journal of Heihe University
基金
河南省高校人文社会科学研究一般项目“形象学视野中的彼得·海斯勒的中国形象建构”(2023-ZDJH-766)。
关键词
彼得·海斯勒
中国形象
他者书写
Peter Hessler
China images
the depiction of the others
