摘要
本文主要分析中国画“忘形得意”艺术观的三个层面:象物之意、象外之意、心象之意,并在中国画创作实践探索中,重点探讨“忘形得意”观的艺术创作表现,即“不似到似,似到不似”、“笔上有物,笔下有意”、“意深画趣,意真画神”在艺术实践中的内在关系。
This paper analyzes three levels of the artistic view of“forgetting shapes to get mood”in Chinese painting:the mood of the object,the mood outside the object,and the mood in heart,and focuses on the artistic expression of“forgetting the shape to get the mood”in the practical exploration of Chinese painting creation,which is the inner relationship between“from not resemble to resemble,from resemble to not resemble”,“shape on the painting and mood inside the painting”,“deep understanding makes it interesting,deep similarity in spirit males it real”in artistic practice.
作者
莫柏穆
MO Baimu(Beijing City University,Beijing 101399,China)
出处
《北京城市学院学报》
2023年第2期87-91,共5页
Journal of Beijing City University
关键词
忘形得意
象物之意
象外之意
心象之意
forgetting shapes to get mood
the mood of the object
the mood outside the object
the mood in heart
