摘要
卡夫卡最重要的长篇小说《城堡》创作于1922年。百年来,就像《城堡》中的主人公K.毕其一生之努力就是想进入城堡一样,卡夫卡的读者也殚精竭力想走近《城堡》,进入《城堡》,成为卡夫卡的朋友和知音。那些卡夫卡的评论家和研究者更是试图进入《城堡》的中心,洞察和把握《城堡》的精髓,揭示和阐发《城堡》的价值和意义。对《城堡》的解读和阐释不外乎三个方面——神学的、心理分析学的、社会学的,但是任何一种解读都不可能是对《城堡》的终极解读。《城堡》是一部从现代主义向后现代主义小说过渡的作品。《城堡》既排斥注释,又呼唤注释;既召唤解读,又拒斥解读。《城堡》仿佛就是一部人类漂泊历史的缩写。
Kafka’s most important novel The Castle was written in 1922.For a hundred years,just as K,the hero of The Castle,has been trying to enter the castle all his life,so Kafka’s readers have tried their best to get close to The Castle,enter the The Castle and become Kafka’s friend even bosom friend.Those critics and researchers of Kafka even tried to enter the center of The Castle,gain insight and grasp the essence of it to reveal and expound its value and significance.The interpretation of The Castle is nothing more than three aspects:theological,psychoanalytic and sociological,but none of them can be the ultimate interpretation of it.The Castle is a novel in transition from modernism to postmodernism.It not only rejects annotations and interpretation,but also calls for them.The Castle seems to be an abbreviation of human wandering history.
作者
曾艳兵
李爽
Zeng Yanbing;Li Shuang(School of Liberal Arts,Renmin University of China,Bejing,100872;School of Liberal Arts,Tianjin Normal University;School of Literature,Zhengzhou Normal University,zhengzhou 450044,China)
出处
《郑州大学学报（哲学社会科学版）》
CSSCI
北大核心
2022年第5期83-87,128,共6页
Journal of Zhengzhou University:Philosophy and Social Sciences Edition
基金
国家社会科学基金重点项目“卡夫卡与中国文学、文化关系之研究”(项目编号:17AWW002)。
