摘要
本文致力于探究艺术与美学的生产关系及其对于人的价值旨归,指出二者在历史发展过程中所呈现出的一种互动共进姿态,并阐明在其价值追求与运作机制上,存在着“作用于人的心灵与精神世界”“回应现实性需求”的共性。联系当前中国艺术与美学的发展及研究现状,本文认为,新时代中国“艺术—美学”的传承与发展,应该从身份建构、培养模式、学科设置以及中国式理论话语体系等方面去完善,并通过强化两者间的这种互动机制,从而担负起社会批判、文化批评与学理建构的责任。
Exploring the productive relationship between art and aesthetics and their value to human beings, the present article points out the interaction between the two in their historical development. The commonality between art and aesthetics in terms of their values and mechanisms of operation is illustrated as “acting on the human mind and spiritual world” and “responding to realistic needs”. In relation to the current development of Chinese art and aesthetics, this article argues, that the inheritance and development of Chinese art and aesthetics in the new era should improve and strengthen this mechanism of interaction between the two in terms of identity construction, cultivation models, disciplinary settings and Chinese theoretical discourse systems, with a view to assuming the responsibility of social criticism, cultural criticism and doctrinal construction.
出处
《中国文艺评论》
CSSCI
2023年第2期28-37,I0003,共11页
China Literature and Art Criticism
关键词
艺术—美学
身份建构
生产机制
中国式学术体系
art-aesthetics
identity construction
productive mechanism
Chinese-style academic system
