摘要
诸葛亮的形象,自其去世以来便随着历朝历代的口述、谱写、演绎,逐渐从一位历史上的贤相神化为一个道教军师。其艺术形象的程式化,不仅体现在对人物事迹的描述、思想、性格等的塑造方面,其穿着扮相同样具有标志性。诸葛亮的首服大致可分为葛巾、纶巾、八卦巾三种,可谓其彻底仙道化的标志之一。笔者拟对诸葛亮首服之演变进行梳理,并以此为切入点,从服饰角度窥探诸葛亮艺术形象的演变,进而探寻其形象逐渐神仙道化的演变过程和缘由。
The image of Zhuge Liang,since his death,has gradually transformed from a sage in history to a Taoist warlord with the dictation,writing and interpretation of the past dynasties.The stylization of its artistic image is not only reflected in the description of the deeds of the characters,the shaping of thoughts and characters,but also in the way of dressing and appearance.Zhuge Liang’s first clothes can be roughly divided into three types:Gejin,Guanjin,and Baguajin,which can be described as one of the symbols of his complete immortality.The author intends to sort out the evolution of Zhuge Liang’s headdress,and take this as an entry point to spy on the evolution of Zhuge Liang’s artistic image from the perspective of clothing,and then explore the evolution process and reasons for his image’s gradual immortalization.
作者
谢无霜
陈芳
Xie Wushuang;Chen Fang
出处
《服装设计师》
2023年第1期52-57,共6页
Fashion China
基金
北京服装学院2022年研究生科研创新项目资助,项目编号120301990131。
关键词
诸葛亮
首服
Zhuge Liang
Headdress
