摘要
明末清初的文学家李渔在《闲情偶寄》中指出园林与戏曲的创作在追求布局整体观和新异上具有一致性。以李渔的戏曲理论为基础,通过考证李渔诗词文集中有关园林实践的记载,探究其与李渔戏曲理论中叙事手法的对应关系,并归纳出其园林实践中的三种戏曲叙事手法,以此为基础探究造园叙事手法,为当代造园提供理论及实践层面的借鉴。
Li Yu,a writer in the late Ming Dynasty and early Qing Dynasty,pointed out that the creation of gardens and operas is consistent in pursuing the overall view of layout and new differences.Based on Li Yu’s drama theory,through textual research on the records of landscape practice in Li Yu’s poetry and prose collection,we explore the corresponding relationship between it and the narrative techniques in Li Yu’s drama theory,and summarize four drama narrative techniques in his landscape practice.On this basis,we explore the narrative techniques of landscape architecture,so as to provide theoretical and practical reference for contemporary landscape architecture.
作者
李旭
王蕾
龙毅湘
Li Xu;Wang Lei;Long Yixiang
出处
《华中建筑》
2022年第9期95-102,共8页
Huazhong Architecture
基金
湖南省哲学社科基金项目(编号:17YBA083)
湖南省自然科学基金项目(编号:2018JJ2040)。
