摘要
郊祀祭坛是都城礼制空间的重要组成部分。隋唐长安城郊祀祭坛在规划设计上以《周礼》模式为基础,在继承之前设计模式与思想的同时,有新的创建和调整。祭坛方位的确定,运用了阴阳方位、五行方位、比附星辰位置的法天模式三种思维;祭坛的形制与尺寸设计,运用了天圆地方、凹“坎”、周易阴数和阳数、五行生数与成数、太一行九宫等象征手法。郊祀祭坛设计思想是都城上层的精神空间表达,同时也是中国传统哲学思维模式在城市规划与设计上的体现。
The sacrificial altar was an important part in the urban ritual space.The planning of the altar in the suburbs of Chang’an in Sui and Tang dynasties was based on the Zhou L(i《周礼》)pattern.With inherited the previous design patterns and ideologies,there were new creations and adjustments.For example,the orientation of Yin and Yang(阴阳),Five elements(五行)as well as the position of the stars were taken to the location of the alter.As the design of the shape and size of the altar,it taken the symbolization such as the place of heaven and earth(天圆地方),the concave‘Kan’(坎),the Yin Shu(阴数)and Yang Shu(阳数)of ZhouY(i《周易》),the Sheng Shu(生数)and Cheng Shu(成数)of the Five elements,as well as the Taiyi in Jiugong(太 一 行 九 宫).The design ideology of suburban sacrificial altar was the expression of spiritual space for the upper classin capital city,and it was the embodiment of the Chinese traditional philosophical ideology in urban planning.
作者
梁陈
Liang Chen(Northwest Institute of Historical Environment and Socio-Economic Development,Shanxi Normal University,710119)
出处
《中国历史地理论丛》
CSSCI
北大核心
2022年第3期37-47,36,共12页
Journal of Chinese Historical Geography
关键词
隋唐长安城
郊祀祭坛
建筑布局
建筑形制
设计思想
Chang’an City in Sui and Tang dynasties
Sacrifice Altar
Layout of buildings
Form of buildings
Design Ideology
