摘要
在高速发展的中国社会中,女性的社会地位和自我意识进一步提升,更多的女性导演也登上电影舞台,在这一背景下,部分女性导演对母女关系这一女性特有的议题进行了深刻的表达,母女矛盾与和解成为这种表达的核心内容。而打破母女关系中的“共生幻想”,母女双方实现心理上的“分离”“独立”与“平等”是现代社会母女关系走出困境的三个关键词——这也证明了对母女关系问题的探讨,实际上是女性主义议题中极其关键的一环。
In the rapidly developing Chinese society,women’s social status and self-awareness have been further improved,and more female-specific directors have also stepped on the film stage.Under this background,some female directors have made a profound expression on the female-specific issue of the mother-daughter relationship,and the mother-daughter contradiction and reconciliation have become the core content of this expression.Breaking the“symbiotic fantasy”in the mother-daughter relationship and realizing the psychological“separation”,“independence”and“equality”between mother and daughter are the three keywords for the mother-daughter relationship to get out of the dilemma in modern society,which also proves that the discussion on the mother-daughter relationship is actually an extremely key link in the feminist issue.
作者
何亮
吕慧芸
He Liang;Lv Huiyun
出处
《电影艺术》
CSSCI
北大核心
2022年第4期54-59,共6页
Film Art
基金
北京市社会科学基金项目“传统戏曲伦理观在新时代电影中的传承与更新研究”(批准号:18YTB007)阶段性成果。
关键词
女性电影
母女关系
母性危机
共生幻想
female film
mother-daughter relationship
maternal crisis
symbiotic fantasy
