摘要
《格萨尔·地狱篇》是佛教色彩最浓的部本,被称作《格萨尔》史诗的终部本,流传广泛,影响深远。该部本中包含的《地狱救妻》《地狱救母》《地狱大解脱》三个分部本,集中展示了人与自然界发展中存在的善恶因果关系,以及轮回无常的运行规律。对《格萨尔·地狱篇》中的这三个分部本进行比较研究,可进一步呈现《格萨尔》史诗的文学艺术价值。
Gesar Epic-The Inferno is the ultimate end of this epic which has the strongest Buddhist ele-ments.This wider-spread and far-reaching masterpiece contains three parts which are“SaveWifefrom the Hell”“Save Mother from the Hell”and“Great Relief in Hell”.These three parts demonstrate the theme of promoting of truth,goodness and beauty through the laws of good and evil and the imperma-nence of reincarnation in human society and in the nature.Through the comparative study of the three parts in Gesar Epic-The Inferno,the literary value of the Gesar epic could be further discovered.
作者
甲央齐珍
Jamyang Chodron(Institute far Ethnic Minority Literature Study,Chinese Academy of Social Sciences,Beijing 100732,China)
出处
《西藏研究》
CSSCI
北大核心
2022年第3期130-136,共7页
Tibetan Studies
基金
国家社科基金特别委托项目“中国史诗百部工程”(项目编号:09@ZH014)之一“《格萨尔》(西藏察雅县)擎纸艺人”(项目编号:SS2021003)阶段性成果
关键词
地狱救妻
地狱救母
地狱大解脱
善恶因果
轮回无常
Save Wife from the Hell
Save Mother from the Hell
Great Relief in Hell
Karma
Samsara
