摘要
对于人类学来说,影像应是一种观看和意义阐释的方式,而非处于附庸地位的工具或方法。超越惟智主义,返回“具体性”的视野,影像会给人类学带来新的认知模式和认知内容。民族志电影如何进行知识生产?如何实现‘认识别的文化’的人类学宗旨?从影像本质与特质出发,引入“视觉”“日常生活”“情感”三个层层递进的维度,试图阐释一种不同于文字、概念取向的人类学知识生产机制。文章认为,以视觉呈现充满生命气息的日常生活,并建构出传递生命情感的表现性形式,能够生动地“向属于一个文化的人们解释属于另一个文化的人们的行为”,进而生产出不可替代的人类学知识。
For anthropology,image should be a way of viewing and meaning interpretation,rather than an auxiliary tool or method.Beyond intellectualism and returning to the vision of“concreteness”,images will bring new cognitive models and cognitive contents to anthropology.How do ethnographic films produce knowledge?How to realize the anthropological purpose of“recognizing and identifying culture”?Starting from the essence and characteristics of images,this paper introduces three layers of progressive dimensions of“vision”,“daily life”,and“emotion”,and tries to explain an anthropological knowledge production mechanism different from the orientation of words and concepts.This paper believes that presenting lively daily life through vision and constructing the expressive form of transmitting life emotion can vividly“explain the behavior of people of one culture to people of another culture”,and then produce irreplaceable anthropological knowledge.
出处
《中南民族大学学报（人文社会科学版）》
CSSCI
北大核心
2022年第3期125-131,186,共8页
Journal of South-Central Minzu University (Humanities and Social Sciences)
基金
国家社会科学基金项目“新时代中国纪录片国际传播影响力及策略研究”(GSY19012)。
关键词
民族志电影
视觉
日常生活
情感
知识生产机制
ethnographic films
vision
daily life
emotion
knowledge production mechanism
