摘要
色彩是当代电影艺术最重要的艺术语言和表达方式之一。色彩在画面叙事和视觉美学的自我构建中,体现了当代影视和现代艺术的自我革新和体式变革,也体现了人类审美的时代追求与心理演进。新时代的审美文化在全球化和多元化的历史进程中,尤其关注色彩和色调在美术创作中的艺术构图、视界成型和哲理引导。通过研究电影色彩的叙事手法进一步探寻电影色彩的形式、时代、情感、伦理、原型的审美价值以及对审美公众的审美意义,有助于充分发挥电影色彩的价值,进一步探索电影创作的规律。
Color is one of the most important artistic languages and ways of expression in contemporary film art.In the self-construction of picture narration and visual aesthetics,color embodies the self-innovation and style change of contemporary film and television and modern art,as well as the pursuit of The Times and psychological evolution of human aesthetics.In the historical process of globalization and diversification,the aesthetic culture of the new era pays special attention to the artistic composition,vision shaping and philosophical guidance of color and tone in artistic creation.By studying the narrative techniques of film color,we can further explore the aesthetic value of film color in form,times,emotion,ethics,archetype and its aesthetic significance to the aesthetic public,which is helpful to give full play to the value of film color and further explore the law of film creation.
作者
郭守运
鄂阳磊
GUO Shou-yun;E Yang-lei(School of Urban Culture,South China Normal University,FoshanGuangdong 528225,China)
出处
《齐齐哈尔大学学报（哲学社会科学版）》
2022年第1期106-109,共4页
Journal of Qiqihar University(Philosophy & Social Science Edition)
基金
2020年度广东省“十三五”哲学社会科学规划项目(GD20CZW03)
广东省2020年省级质量工程“华师-南方日报社校外实践教学基地”项目(GD20JG015)。
关键词
电影色彩
审美价值
色彩叙事
审美的人
color aesthetics
aesthetic criticism
color narrative
aesthetic person
