摘要
作为延安文学后期的重要作家,孙犁在其认同革命又彰显艺术的形式观推动下,以文白互生的语言、以情为经的结构、虚实相间的文体,在表达革命主题的同时,使文本呈现出诗意的气质,可谓开创了革命的诗化抒写路径。这一形式创造,不仅开拓了革命文学的表达空间,而且在延安文学后期普遍表现出“去文求野、去雅求俗”的审美缺憾时,延展出艺术追求的可能,一改人们对延安文学的刻板认识,丰富了延安文学的文学图景,亦成为延安文学“现代性”构成上的重要一环。
As an important writer in the later phase of Yan’an literature,Sun Li,under the impetus of his concept of form that recognizes revolution and demonstrates art,expressed the revolutionary theme by using literary and vernacular language,the emotion-oriented structure,and the style of writing which alternated between fiction and reality,thus having endowed the text with a poetic quality and initiated the path of poetic expression of revolution.This form of creation not only opened up the expression space of revolutionary literature,but also extended the possibility of artistic pursuit in the later phase of Yan’an literature when it generally displayed the aesthetic defects of“seeking the vernacular rather than the elevated and pursing the commonplace rather than the elegant”,which has changed people’s stereotyped understanding of Yan’an literature,enriched the literary prospect of Yan’an literature,and become an important link in the composition of“modernity”of Yan’an literature.
作者
景兴燕
袁盛勇
JING Xing-yan;YUAN Sheng-yong(School of Chinese Language and Literature,Shaanxi Normal University,Xi’an 710119,China)
出处
《海南师范大学学报（社会科学版）》
2021年第6期2-9,共8页
Journal of Hainan Normal University(Social Sciences)
基金
国家社会科学基金重大项目“延安文艺与现代中国研究”(项目编号:18ZDA280)
中央高校基本业务费专项资金资助项目“三四十年代乡土文学在国语文教材中的重构及价值”(项目编号:2019TS101)。
关键词
孙犁
形式创造
延安文学
Sun Li
form creation
Yan’an literature
